Part fashion designer, part comic book aficionado, Haris Nukem is one of the most imaginative and evocative photographers to emerge in recent years. Influenced by the renaissance artist Caravaggio, his work is said to be a passionate study of the human spirit in the 21st century. He loves fairy tales, mythology, rebels, freckles, tattoos, body hair and granular textures. He was born in 1989 in Bosnia, which was then still part of  Yugoslavia and left as a political refugee to United Kingdom which granted him asylum. He said in a an interview that Croatia is still his favorite place on earth, and that the cobbled medieval art district of Rovinj, is his favorite art center: “I love to see people making what they can with what they have. That spirit of creation runs through everyone.” 

Growing up, he used to watch Jay-Z, Gary Vee, Tony Robbins and Nipsey Hussle’s interviews. They gave him the push to dedicate himself to visual art. 

Early in his carrer Nukem worked as a photographer for record labels and artists such as Defected Records, IAMDDB, Dennis Sulta, Badass B, and Jordan Stephens.

He said that David Fincher shaped his outlook on color and image and that he wanted to create that same level of communication: “but just concentrating on performance, depth and color. Some things require lots of pre-production but most of my work happens quite naturally.”


Fine Art and Dark Beauty Portrait Photography (2018)

“Fine Art and Dark Beauty Portrait Photography” (2018) turned Nukem into a household name.  Inspired by the book “Tribe” by Sebastian Junger, he incorporated tribal energy and  with piercings, tattoos, highlighting their beauty and diminishing the stigma.

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Faith (2019)

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Touching upon hedonism, online trolls, social media, fame, and the fragility of public services, “Faith”(2019) propelled Nukem towards a global audience. Exhibited in London’s Soho, it explores the concept of moral and spiritual conviction and what the meaning of ‘faith’ signifies in the interconnected world we live in. Though spiritual iconography and mythic narratives Nukem’s photography juxtaposed romantic and classical imagery with a socially conscious, urban aesthetic. He said: “In our increasingly secular world, “faith” is an exploration of the pockets in which to place our beliefs.” His models are often portrayed as heroes and gods, biblical and mythological icons inside of contemporary settings. 

The price of the exhibition was to “pay what you can afford”, where all the proceeds went towards the charity “Help Refugees”. Nukem’s two main art dealers are Maddox Gallery and Woodbury House and his unique pieces can be found and sold on Artnet.

Nukem said in a Lodown Magazine interview that the most important thing for him is to make sure a photograph has a strong intention and connects with the audience. His work happens quite naturally, without much need for a high level of pre-production. However he spends most of his time building relationships with his models to get to know them better. For example, one of his models named “Kikz” was born in Nigeria and escaped a life of child slavery by emigrating to the United Kingdom. She has started a new life by becoming a dancer. In one of her photographs, she is dressed in her native Nigerian finery worn by West African Queens, while raising a teacup demonstrating her new British life. The compelling contrast between these two cultures can be seen below to the right.

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West African Queens

“The Pursuit” , by Haris Nukem.

Nukem has also recently published his first hard-copy book “Ten Days at the Mandrake” (2020), where his photographic work is listed as a time capsule. The book is accompanied with poetry written by Charlotte Rose. The book includes 36 photo-stories shot at the London Hotel, with every new page telling a new story and theme: religion, death, belonging, madness etc. Another one of Nukem’s recent projects was a solo show called “Humans” at London’s NR Project Art spaces in summer 2019. The show focused the beauty that emerges when individuals are willing to free themselves from society’s norms and embrace the concepts of breaking out of social standards.   

The young artist has had an impressive beginning to his career. In just five short years, Nukem has become one of the United Kingdom’s most highly admired contemporary artists. Many articles and applications have recognized his achievements and have shared his artwork. Applications such as Pinterest and websites such as Artnet have highlighted Haris Nukem’s talent by sharing his artwork pieces. His photographs start conversations, and give people access to a world that isn’t theirs.